thanks
PHASE FIVE
including PhD at University of Plymouth, UK funded through the Art and Humanities Research Board
Nicole Jordan
Ewen Chardronnet
Lorelei Lisowsky
Prof Michael Punt
Dr Martha Blassnigg
PHASE FOUR
Supported by Srishti School of Art, Bangalore and The Arts Catalyst
thanks to
Vidya Prakash
Anitha Santhanam
Sreenath K.R.
Lalitha Abraham
Dr Prajwal Shastri
Dr SK Shivakumar
Shyama Narendranath
Manuel Grande
Barry J Kellett
Tejas Pande
Kriti Chaudhary
Alisha Panjwani
Geetha Narayanan
Rakesh Sharma
Babita Harry
Sumona Chakravarty
Govind Mohandas
Aajwanthi Baradwaj
Nandini Chandavarkar
Meena Vari
Yashas
Mouli Marur
Shakti
Gabriel Harp
Sundar Sarukkai
Dr Jayanti Dutta
R. Sunil Kumar
Sadhana Kumar
Suchitha Gowda
Geetanjali Sachdev
***
and in Ireland at Trinity…
Shaun Bloomfield
Brian Espey
Paul Gallagher
***
and in the UK…
Rob Le Franais
Nicola Triscott
Nicola Morgan
Gillean Dickie
Lala
Marian Carroll
John Griffin
Mary Griffin
Rory Griffin
Andrew Griffin
***
at Goonhilly Satellite Station
Des Prouse
Jonathan Henney
Steve Collier
Peter
Simon
Ivor McClure
Tony James
Jim Worlford
Chris Wobbor
Nick Wills
Martyn Pennington
Mark Triponey
Tim Rowlesland
***
at Mullard Space Science Lab
Lucie Green
Craig Theobald
Alan Smith
Andrew Coates
Mary Carter
Sarah Matthews
Rob Gowen
Ignacio Ferreras
Glyn Collinson
Khalid Al-Janabi
Durgesh Tripathi
Mark Cropper
Julia Gaudelli
Ady James
Martin de la Nougerede
Sandrine Grimald
Dave Overington
John Rose
Mark Saunders
Jian Sun
Myrto Symeonidis
Dave Walton
Matthew Whillock
Claire Foullon
Andrew Fenney
Libby Daghorn
***
near Mullard Space Science Lab
Vera Worsey
***
At the IAC 2008 Glasgow
Riccardo Carducci
PHASE THREE
Arts Council England Fellowship at the Space Science Lab, University of Berkeley, USA.
Thanks to contributors at the Space Science Lab:
Karin Hauck
Isabelle Hawkins
Brett Stroozas
Gang Li
Manfred Bester
Yun Li
Peter Schroeder
Bryce Roberts
Nayla El Haber
Sabine Frey
Stephen Mende
Kevin Hurley
Hugh Hudson
Steve McBride
Janet Luhmann
Greg Delory
David Mitchell
Jerry Edelstein
Jonathon Eastwood
Scott England
Thomas Immel
Robert Lin
James McFadden
James McTiernan
Daniele Meilhan
Bryan Mendez
Karen Meyer
Ruth Paglierani
Darlene Park Yan
Laura Peticolas
Timothy Quinn
Ilan Roth
Igor Ruderman
Ellen Taylor
Paul Turin
Brian Welsh
Andrew Westphal
Judy Williams
PHASE TWO
The Residency at Great Northern Way, University of British Columbia has been funded by the Arts Council of England. Many thanks. The funding comes from the South West region which is where I am from.
Thanks to CD Evans for his kind support.
Thanks to the individuals who have contributed to the investigation:
Ian Cumming
Rabab Ward
Robert Schober
Ludz Lampe
Victor Leung
Flavio Wasniewski
Whitney Freesen
David Florin
Barbara Zeigler
Sid Fels
Lianna Davidson
Heather King
Rhodri Windsor Liscom
Daina
Jody Berland
Lisa Parks
Paul Curran
Richard Barbrook
David Raitt
Citr Radio
Richard E Prince
Donna Livingstone
Erik Koelemeyer
Melanie O’Brien
Manuel Pina
Annet Dekker
Arjon Dunnewind
Nicola Triscott
Rob le Fresnais
Thomas Heimans
Jeremy Quinn
Angel Weight
Sarah Cook
Lynn Rainville
Larry Reeves
Hans Baegli
Andrew Walker
Rainer Kushnig
Mark Halpern
Phil Austin
Harvey Richer
Keith Wallace
Roland Stull
Judy Cheung
Marianne Bos
Emma Hendrix
Ashley Ng
Mark and Shannon
Chloe Hoppie
Ryan Hames
Amielle Lake
David C. Jones
Nicole Cote
Ruthie
Bruce Perret
Dan Maure
Mannie
Aemil Folgizan
Vince Folgizan
Paul Suedfeld
Zhipeng Wang
PHASE ONE
The first stage of this work began at the Hypermedia Research Centre at the University of Westminster where I began to think about making work that existed only on the Internet. I liked being able to monitor shipping movements in Plymouth from London and thought about the idea of remoteness. I looked to see what I could find out about Punto Arenas, which to me seemed very far away and quickly realized that ‘remoteness’ is a culturally loaded term and perspective, especially for a British person. Punto Arenas is not remote for the people who live there. The orbital environment seemed to have an equidistant remoteness to anywhere on the ground and like the Internet, had an ambiguous relation to place.. I began to watch changing coordinates of satellites, tracked by NASA and to learn more about the heavy cultural bias of this recently created environment.
Thanks to:
Dr Richard Barbrook
Jeremy Quinn
Funding to develop this research into a live Web site has come from Impakt in The Netherlands, who have commissioned an online work that examines connections between the Internet and satellite networks. Thanks for their patience and support in helping me develop this.
Thanks to:
Clifton Evans
Thomas Heijmans
Felix van Geuns
Jeremy Quinn
